Welcome to the Webbpage Blog. Home of Tim Webb Photography. Here is where you can see what really goes on in my life. Enjoy!
The Washington Youth Tour
My good friend Wade Harris with the Kentucky Electric Cooperatives compiled a really nice video while I was shooting the Kentucky Living Magazine cover shots of the Kentucky kids on the Washington Youth Tour back in June. Each of the state's electric cooperatives sends juniors in high school to Washington for a week. I get to go each year and shoot the magazine covers and document the week. And...wait for it...as a bonus, I'm including a really good video of me showing off some of my old-man dance moves. I was always known in high school and college for my superb dancing and rhythm. Not!
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Old School Numbers
My latest t-shirt has caused some confusion because people don't understand what all these numbers mean. I guess this is another shirt that gives away my age, because if you ever worked with an old school camera before the digital revolution you would recognize these numbers...22, 16, 11, 8, 5.6., 4, 2.8, 2, 1.4 as the aperture settings, or f-stops on a camera lens. The numbers didn't disappear over time. They're still used in SLR cameras, but today's cameras are a little more automated and people don't have to understand the manual settings like we used to.
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Kit Carson Commons Photo Exhibit
Earlier this spring I worked with the Kentucky River Foothills to create a photo exhibit in the workforce training center of their new scholars house on the campus of Eastern Kentucky University, called Kit Carson Commons. It is a scholar house program for single parents going to college at EKU, Bluegrass Community and Technical College and the University of Kentucky. The program helps remove housing as a barrier to higher education.
I got to go this morning and see the photos for the first time since they were hung on the walls a few days ago.
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R.I.P. Mr. Adams
I had good intentions of making this post about Ansel Adams on his 120th birthday which was February 20th, but I got busy and forgot. So instead, I'll post it today on the 38th anniversary of his death.
One of the best ways to get better at photography is to study other photographer's work, especially the great ones, even if they don't do the same type of work that you do. I used to stand in the grocery store dissecting fashion magazines just to pick up on lighting techniques. I began the habit of studying other photographers back in the early 1990s when I was still up to my elbows in chemicals and the darkroom process, while working as a newspaper photographer for The Clay City Times. I would pour over The Lexington Herald-Leader while eating lunch each day, studying the work of photographers like Charles Bertram, Ron Garrison, Mark Cornelison, David Stephenson, Frank Anderson, and David Perry. I would later become good friends with all these guys, but at the time, I knew each one based on their style of photography.
Although Ansel Adams is somewhat of a cliche today, I can honestly say I have learned more by studying him than anyone else, with former University of Kentucky yearbook photographer and National Geographic phenom Sam Abell as a close second. I never did a great deal of landscape photography but I always admired Adams for being a pioneer and I consider him the father of modern-day photography. He legitimized photography with his previsualization and use of the zone system that he created. I like to think that he created the foundations of Photoshop decades before it was ever a thing. He also inspired a lot of the photography that I did on three hiking trips to the Grand Canyon between 1996-1999.
As odd as this may sound, I also learned a few corporate photography tips from Mr. Adams. Which sounds weird, because he's so well known for his landscape photography, few people realize that he did a lot of corporate work as well. It was actually a lot of the corporate photography paying the bills that allowed him to invest so much time in the vast landscape and environmental projects that he took on in the early part of the 20th Century. I fell in love with his autobiography and have read it several times. One of my favorite pieces of advice from that book is to never go on a business lunch with an empty stomach because the client may try to get you drunk and bargain the price. Adams would always eat buttered bread before such meetings to coat his stomach. I also learned how the pressure of being self employed and the fact that photography of any nature is a seven-day-a-week gig and can take it's toll on your body, because at one point Adams was hospitalized for a nervous breakdown.
As much as I had read and poured over the work of Ansel Adams, it was in 2002 that his work totally changed my life. Ironically, my father, who was the one who introduced me to the photographic life in 1978, called me one night and said there is a really good PBS documentary on Ansel Adams playing on KET and I think you would really enjoy it. Just like in 1978, my Dad had no way of knowing the impact that that conversation would have on me. I went on to watch that documentary no less than fifty times. I used to watch it over and over, picking up something new each time. And the documentary's soundtrack had an even bigger impact on my life. I can honestly say that if iTunes hadn't come around when it did that I would have easily worn out my copy of the soundtrack CD. I suffer from panic attacks and high blood pressure, and if I'm ever "stroking out," the Ansel Adams soundtrack can always calm me down. I like to think of it as musical Xanax.
In 2012, I got to check off a major piece on my bucket list when I visited the Ansel Adams Gallery, where he processed much of his major works during his hay-day in Yosemite National Park. I not only got to spend time in the building where Ansel Adams actually worked and built his career, but I was also able to buy a couple of his prints for my office.
I would be remiss to do a post like this without saying which Ansel Adams photo is my favorite. I'll start with my second favorite, which is the photo of Georgia O'Keeffe and Orville Cox taken in 1937 at Canyon de Chelly National Monument in Arizona. I love that photo because it captured such a beautiful behind-the-scenes moment with his fellow artists. I have devoted an entire gallery on my website portfolio titled "Snappers" to that very thing, behind-the-scenes moments with my cohorts.
So. Drumroll please. My favorite Ansel Adams photo is his 1941 image titled "Moonrise over Hernandez, New Mexico." My reason for loving it isn't because it's one of his most famous prints, it's because of the brilliance behind it. For the man who meticulously calculated all of his photographs, this one was done on the fly. He didn't have time to calculate the light, because the sun was dropping fast, and he was about to lose the light on the crosses in the graveyard, so he quickly set up his camera, and created it based on instinct alone. Remarkably, he was able to read the light! This matters to me because my first camera in third grade was an old Agfa viewfinder camera that had no light meter, and my Dad unknowingly gave me the greatest gift that he could've ever given me, even though it was years before my time...he taught me how to read light because the camera itself was incapable of calculating the light for me. That's why I relate to that photo so much!
Some things are just meant to come from the heart.
R.I.P. Mr. Adams.
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I got to visit the Ansel Adams Gallery in Yosemite National Park in 2012.
Adams' autobiography served as a huge inspiration to my career.
The 2002 Ansel Adams documentary and soundtrack were truly life-changing to me.
"Moonrise over Hernandez, New Mexico" was so inspirational to me because it reminded me of how my father taught me to read light when I first started in photography in 1978.
Jones 305 #3
As I wrap up my Jones 305 blog posts, which originated when I recently found several photos in my EKU digital archive that didn't seem relevant at the time, I was reminded of all of the people who came and went in my life during the nine plus years that I was there. It also reminds me of something that my father told me a long time ago. He described life as a book with many chapters. As one chapter closes another chapter is ready to be written. On Friday afternoon, January 23, 2004, I walked out of Jones 305 for the last time as Eastern's University Photographer, and ironically, on Monday morning, January 26th, I was right back on campus doing my first assignment as an independent freelancer, covering a electrical outage on campus for the Lexington Herald-Leader. To put things in perspective...had I stayed at Eastern I could've retired with my 27 years this past December. But I have no doubt that I made the right decision. I may never get to retire, but I'll sure have fun doing it.
Joetta Tipton, seen here at her retirement party in 2003, was the administrative assistant and the glue that held our office together. I owe her a great deal of thanks because she was the one who introduced Natalie and I to her granddaughter's baby sitter when Natalie was pregnant with our oldest son Nolan in 1997. We made one phone call and that was it. Daycare was never an issue with us. The same baby sitter and her husband achieved grandparent status in our family by keeping all three of our kids over a period of 11 years.
It was during my time at Eastern that I started collecting photography books and old cameras. I became like the Statue of Liberty for old cameras because people would show up in my office with old cameras to give me.
Hiding out in my ultra-cool darkroom that Kodak designed when the building was constructed in 1969 was the highlight of my days. It's so funny that darkrooms and the chemical process are now back in vogue. But, I've been there done that. Time to move on. I'm satisfied to be an old man using Lightroom.
Karen Lynn joined our staff in September of 2000, and quickly became one of my best friends. I always said that Karen was like the Cal Ripken Jr. of our office because she could do just about anything. She was so versatile. She could write, do photography, and graphic design. I used to joke and say that all you had to do was give Karen a roll of aluminum foil and the internet and she could build you a rocket ship the moon.
Shortly after Natalie graduated Morehead State in 1995 she hired on at Eastern at the ripe old age of 21, which worked out really well because we had the same work schedule and holidays. She eventually moved over to the student life office and was over student organizations and programed all the fun stuff for New Student Days. Above, she is seen in her office in the Powell Building in August 2001, and with the band Rascal Flatts who was on campus for a concert in April 2002, leaning on a column at the Powell Building during New Student Days in August 2001.
Below, Natalie and I both worked on the day of the 9-11 attacks. The University cancelled classes that morning as a show of respect, but also so that students and faculty could watch it as it all unfolded on the news. They put several large screen TVs in the student center of the Powell Building so that the university community could come together, and they fed them pizza as we all watched the news, trying to process what was going on. Although all we were doing was taking photos and serving pizza, she and I both understood that we were witnessing history as 9-11 was the Pearl Harbor and the JFK of our generation.
If you've ever seen the movie WE ARE MARSHALL then you're looking at the real life Jack Lingyel, right, who was played by Matthew McConaughey. Lingyel came out of retirement in 2001 to serve as Eastern's athletic director, which coincided with coach Roy Kidd's 300th victory and retirement. The two are seen here at the Oregon State game August 2002, Corvallis, Oregon.
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Ami Piccirrilli was my last director at Eastern. I really didn't get a chance to work with Ami all that long before leaving, but it's funny how so many things come full circle. I hadn't talked to Ami much since 2003, other than on Facebook. But then, when I went out of business at the height of the Covid pandemic in March of 2020, it was Ami, who is now working in marketing at UK Healthcare, who called me out of the blue in April, and gave me my first assignment, post-Covid, when I needed it most. Ami unknowingly, literally helped resurrect my business from the ashes of unemployment.
I now photograph all of her provider portraits for the pharmacy division of the UK Chandler Medical Center. She always brings her laptop to work on stuff when we have photo shoots, but we usually sit around as we wait on people to show up and shoot the bull, and she doesn't get much work done. But...life is short. Why answer emails when you can catch up on things (just don't tell UK). It goes to show, don't ever write anyone off in your life, you never know when they'll be there to lend a helping hand.
I've really debated on whether I would show this photo and talk about the life-altering story behind it. I'm a man of faith and I don't like throwing anyone under the bus, and I'm a big believer that we're all a "work-in-progress" in God's eyes. But, ultimately, this one photo, and this one singular moment in time, changed my life forever. I appreciate history for the sake of history, regardless of whether it's good or bad, because it'll always be history.
At precisely 5:36 P.M. on November 18, 2003, the wrath of EKU President Joann Glasser caught up with me. And it was at that exact moment, that I knew with absolute certainty that my time at Eastern Kentucky University was over. A lot of good people had left Eastern because of Joann Glasser, and in the blink of an eye I joined that illustrious crowd. I waited until the next morning to resign, but I knew, even with three young children at home, that I would go work at Walmart if I had to, but either way, I was moving on with my career. It turned out that I was able to stay on a couple of more months, because I didn't want to be unemployed at Christmas, and I really wanted to make sure my wonder-student Chris Radcliffe, who graduated in December 2003, would get my job. And he did. Once again, the rest is history!
Like the old saying goes...the more things change the more they stay the same. My first official job as a freelancer with Tim Webb Photography was to go back on campus and photograph a major electrical outage for the Lexington Herald-Leader, that forced the University to put kids up in local motels during cold temperatures.
I want to end this post in a positive light. Working at EKU was the greatest thing that ever happened to my professional career. It brought me back to my alma mater and to Richmond, where I have lived for over 26 years. I love this photo because the building behind my right elbow was the Donovan Annex Building, which was the building where I earned my journalism degree. And the building directly behind it, near the edge of the photo is the Donovan Building that houses Model Laboratory School, where all three of my kids attended pre-k through 12.
By the time my daughter Laura started pre-k in 2007 they had moved her classroom into the old Eastern Progress office. Her little backpack locker was about 10 feet from where my photo cabinet was when I was Photo Editor my senior year in the Fall of 1991. Literally, her educational career began in the same spot where mine ended. Things really do come full circle if you wait long enough.
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